Monthly Archives: March 2014

Sides

Standard

There is a square in the town
in the city where she lives
which isn’t.
It has three sides
of flagstone and brick
and then two more: an inside
and outside.
The inside feels, for all intents and purposes,
like flagstone and brick,
like sandstone and rock,
like concrete and mud.
The outside feels different.

There is a man on a bridge
in the city where she lives
who draws his life day after night
fighting the creatures on one side
and the other.
He knows the flagstone and brick
of the outside and inside
he knows the stars and sky.

There is a woman in a room
in a house in the city where she lives
who looks like a page from a book
but only for one day, one day in the year.
She knows the concrete and sweat
of the inside and outside
she knows the leather and print.

There is a book, there is a room
there is a bridge, there is a sky
They are the outside of the square
which is not a square in one
but multiple cities
of France of England of Morocco
and yet of brick and stone
and of stars and sky
of outside and of inside.

Advertisements

The Unwritten: Apocalypse #3

Standard

UnwrittenApoc3

Synopsis
Tom discovers just how quickly the world is dissolving into chaos – and why. But where in all this fractured, insane landscape will he find an ally, and what price will he have to pay? The answer lies in the Divadlo Trinka puppet theatre of Prague, and in the old cliché: “My enemy’s enemy is my friend.“

Story
Two issues down, third one up. The Unwritten continues in its exploration of what happens when the collective body of fiction dies, and crashes slap bang into reality — all the fictions, in the whole of reality. The Unwritten: Apocalypse #3 marks the second part of ‘War Stories’, and plays around stories in a nice twist. (NOTE: The synopsis makes no sense, actually. The second part is probably what the next issue will focus on, and that would seem appropriate to further solicits. In fact, the covers seem switched, too.)
The crux of the story is the creation (or destruction) of something linked to Leviathan, and Leviathan itself. And yet how the story gets to it, recalling elements seeded in very early issues of the series, playing with literary tropes, myths, genres and fictions is really quite impressive. The use of French for Cosi and Leon was smile-inducing, as it’s nice to see their linguistic ground come through when faced with immediate reactions to happenings around them.
Carey does like to show his literature and music knowledge in the section titles, picking titles of Wilfred Owen poems, a good number of which included in Benjamin Britten’s War Requiem. Just because apparently we did not have enough going on with just sci-fi fighting-machines, Elizabethan armies, zombie nazis and fantasy knights.

Art
Peter Gross really shows some of those skills flaunted in issue one of this run, with finishes by Ryan Kelly for most pages. Especially from the point of ‘The Next War’ section, the splash pages and double spreads are really something to behold. Both him and Carey have written so much in these scenes that it’s impressive he can keep everything under control, but check with previous pages and you can see some of the same characters crop up. And all of that is going on while Danny fights with his own mazed dream-state in the woods, with some dazzling panelwork.
Colours go back to Chris Chuckry alone, and is brilliantly paired with the tone of the particular scene at hand in the story. A prevalence of earthy, red hues in the war scenes, darker tones for the forest, and some seriously creepy colours for the more supernatural (if we can say so) elements/characters. Todd Klein pleasantly delivers some excellent lettering for soundwords with different genre elements, from ray guns to tanks, arrows and fisticufss. And there’s a particularly excellent ‘blaaam’.
Yuko Shimizu’s cover, as it aligns with the synopsis, does not do its usual story capsule in an image – but is still a gorgeous piece of artwork, featuring Madame Rausch. Limbs, branches, skin and bark all echoing each other, as snakes rise from the base of the tree, on a blood-red background.

Thoughts (May Contain Spoilers)
Imagine a war just outside your window. Imagine that everyone around you is imagining their own version of that assignment. Now take all of those, and make them happen at the same time, in the space. That is the premise of War Stories. And the reason? We find out in ‘Strange Meeting’. War poetry can be executed fairly badly in popular culture, but the section titles actually work, and show their influence on the text and the reality of The Unwritten; the framework set up last month still holds really well, too, with fictional armies clashing, and the purpose is finally revealed. I continue to be impressed by the work going into this book, and so far (synopsis excluded) it has not disappointed.

The Unwritten: Apocalypse #3 is now available in shops and digitally here.

UEA140story pt.III

Standard

Yet again, the microfiction project have published one of mine!

As always, check out UEA140story, they’re pretty cool.